![]() ![]() The research continues with two other chapters built in a balanced way – “Representations of Poetic Space in the Literature of the Beginning of the Twentieth Century” and “Representations of Poetic Space at the End of the Twentieth Century” – in which compelling illustrations from texts written by George Bacovia, Max Blecher, Matei Caragiale, Radu Petrescu, Gellu Naum and Mircea Ivănescu support this ambitious endeavor. In other words, their work raises the issue of paradigm shifts.Florin Balotescu begins his volume witha chapter meant to define this alternative poetic space, different from the canonical one, and to determine its sources and theoretical delimitations by offering a new approach to the study of poetic literature. However, they share a ceaseless redefinition of the poetic zone, the tendency “to experiment (themselves)” (256), as well as the inclination to generate texts which do not adhere to a model (or overcome models). In order to fulfil this objective, the author proposes a new method to approach traditional literary works, forming an unusual “family” of poets and novelists who do not apparently possess similar goals and journeys. Thisbook of great finesse aims to reconfigure the metastructure of poetic space, whose hypostases bear a high degree of similarity despite their belonging to different times and aesthetic contexts. After completing his studies with a PhD thesis entitled Canonical and Non-Canonical Developments in the History of Romanian Literature - Sourcesand Hypostases of Poetic Space, Florin Balotescu publishes the volume Spațiul poetic: revoluții, emergențe, mutații – Poetic Space: Revolutions, Emergences, Mutations (Tracus Arte Publishing House, 2018). 377 In an age of literary and aesthetic eclecticism, young researchers refuse to associate writers with exclusive formulas and poetics they rather prefer to identify in their literary works marginal elements, deviant and atypical formulas, particularities which transcend the solid structures inherited through tradition. ![]() Imaginaires de l’altérité: Pour une approche anthropologique"', p. Según Vasconcelos, el papel de la ciencia es el de estéticamente mejorar el mundoĪndreea Stoica, on Florin Balotescu, "Spațiul poetic: revoluții, emergențe, mutații, București, Tracus Arte, 2018 in "Les Cahiers Equinox. El presente estudio provee una lectura poshumana de su obra teatral Prometeo vencedor (1916?) y su ensayo La raza cósmica (1925) para demostrar que el avance genético constituye progreso estético en su pensamiento. ![]() A fin de cuentas, Vasconcelos subordinaba su pensamiento científico a la estética, de modo que un cambio al genoma nacional representaría un mejoramiento metafísico del país. El pensador articulaba su filosofía del mestizaje a veces en términos científicos -pues la reproducción humana y la eugenesia no son más que expresiones de la biología- pero también imaginaba la hibridez racial como un avance cultural y societario que trascendía simples cambios genéticos. Si un tema resalta entre estos estudios, son las paradojas inherentes a su paradigma racial. Esta problemática aserción ha inspirado mucha crítica académica tanto en Latinoamérica como en Norteamérica y Europa. Según él, la fusión de sangres entre europeos, amerindios y negros engendraría en la región una humanidad estéticamente superior a la de sus progenitores raciales. After regaining her freedom, Maria meets Gustavo, a lawyer who falls for her and makes her believe in love again.Durante su vida, el escritor y filósofo mexicano José Vasconcelos postuló que el mestizaje era la mejor manera de redimir al pueblo mexicano y latinoamericano. There, she swears to herself to never believe in men. ![]() Maria is then blamed for his death and sentenced to 30 years in jail. Arturo later abuses Maria Dolores and during a struggle between the two, Arturo dies. María Dolores falls in love with Arturo, who after seducing her, leaves and marries another woman, Luisa. Arturo meets a beautiful, young woman named María Dolores. The telenovela tells the story of a wealthy, malicious family formed by Leonor, a cruel woman, and her two children: Arturo and Maleny. ![]()
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